Devin Townsend Project - Islington Academy - 26/3/2011

From the moment Devin’s perennial mascot, the coffee-obsessed alien Ziltoid, introduced the show by dancing to the Vengaboys, it was clear that this was going to be a rather lively evening. As Ziltoid’s nonsensical stand-up routine came to an end, the first notes of ‘Addicted’ echoed through the venue and the show was off to a proper start. It was immediately notable that the sound was a little quieter than usual for the Islington Academy, but this was hardly a bad thing as the intricate layers of the music came through just that bit more clearly as a result.

Whilst heavily reliant on the Addicted and Ziltoid the Omniscient albums, the set list saw a large portion of Devin’s solo material duly represented. ‘Kingdom’ from Physicist saw a stellar vocal performance from Devin, whereas the fantastic combination of the slow-grooved and ethereal ‘Earth Day’ and the bouncy ‘Bad Devil’ saw the crowd pulsate with excitement. However, it was a shame not to see a single track from Synchestra rear its head. Still, this was forgivable considering the magnitude of enjoyment provided by lengthier tracks such as the raucously over-the-top 'By Your Command'.

As one would expect with any concert involving Devin Townsend, the wealth of music was punctuated with bizarre but hilarious stage banter, not in the least during ‘Life’. Starting the song with a contagious chant of “Balls! Balls! Balls!”, it was only a few minutes before Dev proclaimed the guitar solo to be the worst he has ever written, accompanying its playing with disgusted expressions at every note. Whilst perhaps a bit peculiar, Townsend has an infectious charisma that saw the crowd utterly enamoured with him throughout the gig – whether it was the silly facial expressions, the uplifting comments occasionally peppering the songs or just the sheer musical ability displayed, the man remained a charmer throughout. The rest of the band were no slouches either, but were happier to hang back slightly during the proceedings. Of particular note was the drum-work of Ryan Van Poederooyen (or, as later introduced, “Ryan Van Poo”), whose rhythm section provided the dense backbone needed for this kind of music.

The show eventually began to wind down with the soothingly mellow, if slightly dirge-like, ‘Deep Peace’, leaving the crowd gently swaying in time with the song. Before finishing for the night, the Project invited fifteen fans on stage for closer ‘Bend It Like Bender’ which saw the rather fantastic set brought to a suitably energetic end.

The Devin Townsend Project - Addicted

The second in four albums to be released from the Devin Townsend Project, Addicted is a radical departure from the clean, haunting tones of its predecessor Ki. Instead we have an album’s worth of densely recorded guitars, synthesisers, computer-generated effects and unrestrained vocal bombast.

Addicted is a highly versatile record throughout, drifting from heavy metal numbers such as the title track, to the hilariously pop chorus of ‘Bend It Like Bender’ and to the lovely clean melody of ‘In-Ah’. One thing that stands out through the album is the brilliant vocal performances from Townsend and guest singer Annekke van Giersbergen. Their two voices complement each other greatly and it is an utter delight hearing Anneke’s version of ‘Hyperdrive’ (originally on Devin’s Ziltoid The Omniscient album).

Addicted's song-writing is arguably rather simple by Townsend standards. Still present are the wall-of-sound multitracked instruments, computer-based industrial tinkerings and versatile voices but there are very few elaborate musical deviations, Addicted! playing down Devin’s progressive tendencies. The songs are generally quite short and to the point, with the mission statement clearly being to deliver something catchy and enjoyable without being bogged down in the borderline self-indulgent. There is an almost Wildhearts-esque vibe to the album’s construction, with some songs going as far as to quite obviously reference the influence (for instance, ‘Resolve!’ is clearly partially based on The Wildhearts’ ‘Vanilla Radio’ as alluded to in the album’s liner notes).

Devin Townsend’s albums have often been touted by the man himself as an expression of where he is emotionally at that point in time – his state of mind in essence defining the tone of the album. If that is to be believed, then this is probably the first time we’ve heard Devin Townsend consistently happy and enjoying himself in every capacity. And it’s absolutely brilliant.